It was also slightly surreal seeing Camden so quiet on the Thursday night. With very few people on Camden High Street. A very sad sight. It was so quiet, the drug dealers seem to have disappeared too.

I’m not sure when Dingwalls became PowerHaus. Dingwalls has been one of those ever present venues in London’s music scene and has a history of some serious bands having played there.. In recent years, it seems to have fallen out of favour as music shifted to Dalston. I’m not sure if this was a planned takeover of Dingwalls or it was due to COVID. But to be honest, it was still Dingwalls, complete with Dingwalls sign. It is good to see it’s survived and maybe the rebrand might help drag music back across to Camden, where it belongs.

Tonight’s gig was to see The Band of Holy Joy who I first saw at Rockaway Beach, who were one of my surprise highlights. Since then I try to catch them whenever they are playing London. Not only do they put in great performances, they’re good to photograph.

First up tonight was I See Islands. A Scottish singer songwriter. Sadly, it was an error strewn set and the sound engineer didn’t do the best job either, with the sound being a bit mushy. Even the lights were left off for most of his performance. Which was a pity, because despite the errors, which were mainly down to the singer kicking off his backing tracks at the wrong time, I found the music had some merit. It had a nice laid back sound that takes you on a journey to other places. I suspect it would benefit from a collection of talented musicians adding the extra dynamics that a backing track can’t offer. I’d be happy to give him another listen.

Unlike the next act, Vagrant Lovers. Again, I’m going to preface this with a with the fact the sound guy was doing a terrible job and I’m not confident the monitors were necessarily working. But Vagrant Lovers sounded awful. The singer shouted most of the set, in a off key kind of way. I have to admit, I moved away from the front and stopped listening. They just didn’t work for me.

Having a poor voice is not something you could accuse the backing singer in the Doctors of Madness, who had a stunning voice. This combined with Richard Strange’s assured gravitas meant the Doctors of Madness were excellent to watch. Doctors of Madness have been around since the 70s and they played a combination of old material, new Doctors material and some or Richard’s own solo material. Even the odd sound issue wasn’t going to stop them putting in a great performance.

With their customary multimedia presentation, The Band Of Holy Joy took the stage to much improved sound. Johny and band were on great form. Playing a mix of old material and songs from their recent released album. I think this was the first time they had played the material live and it sounded fantastic. I have to admit, the album hadn’t grabbed me. But live, every song worked. Either weaving interesting stories or actually being really dancy. This was just what I needed. Something great to listen to, great to photograph and a chance to move my tired old bones. They shouldn’t work. Johny isn’t a vocalist in the traditional sense. But the way he talk/sings his stories makes you want to listen more and more. They’re fascinating to watch. Tonight, was just what I needed.

Artists I liked

Hotel Lux, Drahla, Shame, Hussy, Lucia, The Band Of Holy Joy, Warmdusher, Honeyblood, The Horrors, Snapped Ankles, Desperate Journalist, She Drew A Gun, Pulled Apart By Horses, British Sea Power, Koyo,  Yonaka, Gang Of Four, Peter Hook and the Light, Helen McCookerybook, Jo Quail, Myrkur, SKiNNY MiLK, Dronningen, Dream Wife, Estonian Philharmonic Chamber Choir

Artists that were okay

Yowl, Crosa Rosa, Melt Dunes, Moderate Rebels, Soccer Mummy, Sweaty Palms, Scoundrel

Artists I won’t be going out of my way to see again

Crewel Intentions, Chemtrails, God Colony, The Orb, Lower Slaughter, Drug Store Romeos, Eyrie Leiu, Alabama Three, Judy Dyble and Andy Lewis

Best Gig

January was actually a decent start to the year. The Rockaway Beach festival was a good way to start a new year. Next year it needs more acts. But it was a good break. But there was one outstanding gig this month. Myrkur at St John on Bethnal Green was simply stunning. A perfect location for folk gothic folk music.

Best new artist

I wasn’t sure if I’d enjoy Peter Hook. I thought it might be a bit karaoke. But he was really good.

Best photo

However, it’s gone backwards. I’m not sure why, but they moved this year’s festival from October to January. With no big headliners, this resulted in low ticket sales and therefore they sensibly kept the bill small, to make sure the event went ahead. Unfortunately, this meant that there was only about 10 bands each day. This meant there were big gaps between bands and if you didn’t like a band, it would mean waiting an hour before the next band. As Butlins limits the opening hours of much of the facilities, it can lead to sitting around with nothing to do.

Day 1

Arriving a Butlins, it was a pleasure to find my room ready for early check-in. As you would expect, the rooms aren’t particularly luxurious. But it was clean and perfectly fine as the Butlins site is compact, a bolt-hole away when there was a gap in the festival. Opening the weekend were Crosa Rosa, a decent enough psych band.

The next band, God Colony, didn’t do much for me. Just two guys twiddling knobs on samples and the music did little for me. I’ve said it in the past, twiddling a knob on stage isn’t a live music experience.

With the crowd starting to build-up, the afternoon really kicked into another gear with the always excellent Band of Holy Joy. They’re the perfect band for this type of festivals, you’re guaranteed a good performance that will go down well with most audiences and lift the energy of the crowd. This performance was no different.

Next up, a new band for me, Warmduscher. I’m not really sure what music genre they fit into. Apparently they feature members of Childhood and the Fat White Family. As you’d expect with something involving members of the Fat White Family, they were fun. Coming on stage in a big Stetson with glitzy glasses, the performance was full on, with heavily distorted vocals. They went down well with the early evening crowd

Moving upstairs to the larger Central stage, Honeyblood gave their usual gutsy performance, with their drummer coping ably with the last remnants of a winter cold. As you would expect from Honeyblood’s simply, no nonsense sound, they went down really well with the crowd.

Effectively closing the ‘live performance’ were the Horrors. Bringing the goth pop to Butlins was maybe an odd choice, but somehow the kitsch Centre stage came to life with their excellent performance

Closing the evening wear the Orb. They’ve always passed me by. The occasional interesting song would cross into my consciousness, but over the last 20 years, they really haven’t appealed to me. This ‘live experience’ did little to win me over. It was just guys twisting knobs on a sample. I moved on and grabbed a beer

Day 2

Opening Day 2 was a band I think I’ve seen, Melt Dunes. They’re a Psych band and played a lot of interesting music, but nothing to differentiate them from the dozens of other psych bands on the scene at the moment. That’s not necessarily an issue in my book, as I love the sound.

Next up were a metal band, Lower Slaughter. They did nothing for me. Lots of shouting – which isn’t necessarily a problem for me, but it was just the lack of energy. This was highlighted by some of the performances later in the day.

Moderate Rebels were moderately interesting. I didn’t like or dislike them. Which is fine for a support or festival band.

One of the things I quiet like about Rockaway Beach is how they throw different genres together into the same lineup. Soccer Mummy, is a singer songwriter from the US with that kind of understated indie songwriting you’ve seen been done countless times. She was pleasant, but there are a lot of similar artists.

A surprise for me, and continuing the theme of creating an eclectic lineup, Snapped Ankles were an impressive electro-pop-punk band. Dressed as if they’re shamans, there’s a lot of joy and rhythmic energy that won the crowd over. Definitely a good find.

Following on from Snapped Ankles was another good find, Desperate Journalist. The lead singer was an excellent front-person.

I saw She Drew the Gun last year. I enjoyed their gig, but I thought they worked better in this mixed company. After the punk sound of Desperate Journalist, the melody and word play of She Drew the Gun worked really well. I guess it shows that you don’t have to be angry to write music to change minds.

Closing the downstairs venue and sadly the only real clash in the weekend, the excellent rock band Pulled Apart By Horses. I’ve seen them at festivals and they always give 100%. Tonight was no different.

Moving upstairs for the real reason why I was here. British Sea Power were given a decent length set that allowed them to play an extended festival set that was closers to the kind of sets they play during their own gig, mixing new songs with some of the crowd favourites.

Closing the evening and playing one of their last live sets, Wild Beasts were just as boring as they have been throughout their careers and signalled that it was time to grab a beer and relax.

Day 3

Opening Day 3 was a band called Koyo and a great way to start the day.

Sweaty Palms were up next. Sadly the singer was feeling ill so they finished the set early, which was a pity as I liked what I heard. I’ll have to catch them another time.

I’d heard good things about Drug Store Romeos, a very young looking band. I have to admit they didn’t do much for me.

Eyrie Lieu went down really well with the early day crowd. They didn’t do much for me.

Yonaka were up next. I’ve seen them a few times. This was possibly the best performance I’ve seen. They were really excellent and one of the highlights of Day 3

A new old band for me were Gang of Four. There’s only one remaining member of the original band. But the newbies convinced me to go back and listen to the old stuff.

I grabbed a beer or two so didn’t really take any notice of Alabama Three. The stuff playing in the background, was as rubbish as I expected.

Closing the evening and the festival was Peter Hook and the Light. As a member of two influential bands, in the Joy Division and New Order, the back catalogue was vast. I grew up liking New Order. But later in life, went back and listened to the seminal Joy Division. I thought the Joy Division stuff worked best for me. But I’m glad I caught him.

Artists I liked

Waxahatchee, Margaret Glaspy, Myrkur, Band Of Holy Joy, The Horrors, Graceland

Artists that were okay

Allison Crutchfield, Haze, Starsha Lee, The Bitter Springs, Blue Orchids, The Caress, Tear, HCBP, DZ Deathrays, Kathryn Williams, RM Hubbert, The Saxophones,

Artists I won’t be going out of my way to see again

The Mighty Orchid King, Charlotte Berg, Chernobyl Sunshine Club

Best Gig

Margaret Glaspy at the Lexington

Best new band

As above. But special shoutout to Myrkur who was a big surprise.

Albums of the Month

• Antisocialites – Alvvays
• Mareridt – Myrkur
• V – The Horrors
• Visions of Life – Wolf Alice
• Three Futures – Torres
• Out in the Storm – Waxahatchee

Best photo

Arriving at Bognor Regis, I can’t say I was overly impressed. I’d say that it’s probably seen better days, but I’m not sure it ever had better days! There’s a main high street and very little else. It definitely wouldn’t be high on my list of places to visits. There’s a little bit of ‘faded elegance’. But when compared to some other south coast resorts with their elegant hotels, Bognor clearly wasn’t the biggest holiday resort. Butlins is a short walk from the station.

My main concern about staying at Butlins were some horrendous reviews on TripAdviser. It’s alway difficult to work out if these are realistic reviews or reviews from people with unrealistic expectations so I set my expectations very low. Arriving at the site, I was welcomed by friendly staff (as were all staff at Butlins) and was told that despite being informed that we wouldn’t have access to our rooms until 4pm, they had made most rooms ready for early arrival. I’d been bitching about the fact that you couldn’t check-in until after the music started, so first big plus for Butlins.

Okay, time to be honest. The rooms aren’t great. Mine was an end room with a double bed and a second room with twin beds. Not the roomiest family room, but fine for families who want to get away for a week and will only be using it as a base. But the decor in the rooms was pretty poor. Furniture old and worn. The bed, wasn’t great (but then my own bed is pretty poor, so probably shouldn’t be casting stones!). The bedding, although clean, wouldn’t be re-used by most hotels as there were small black scuffs. The walls needed painting, looking faded with lots of little marks and the carpet was ‘clean dirty’. It had clearly been cleaned. But there were stains on it. So not great. However, this was pretty much what I was expecting and still better than staying in a tent!

The Butlins site is pretty big. Centre of the site is the pavilion. It’s a big canvased tent structure. I think it’s about 20 years old, so probably could do with a clean. But it’s pretty impressive. Inside are a number of venues, bars, shops and amusements.

The site also has a small amusement park, crazy golf, climbing wall, splash zone, tenpin bowling, pool tables and a small astroturf pitch. Lots to do for families. (But all at extra cost!). However, for this weekend, many of these had restricted opening hours. Probably something that could be looked at for next year’s events.

Day 1

The music started at about 3pm on the Skyline stage. This was a stage inside the big pavilion. It looked like a permanent stage so I expect it is used for Butlins own shows. But it wasn’t the greatest place for a stage as the sound quality suffered, often being too quiet. I’m not sure if Butlins were using external crew, but a regular occurrence were delays building up so that the band second to last, had sets cut short so that the headline act didn’t lose time. Nadine Shah, Lola Colt and Public Service Broadcasting all had big delays due to setup issues. In Nadine and Lola Colt’s case, this meant their sets were significantly shortened so that headline acts were unaffected. This is something they need to figure out for next year.

FURS opened to a very select audience. Sound wasn’t great. They were pleasant enough but I think they’d come across better in a smaller venue with louder PA

Next up was Whyte Horses with a pleasant set

Opening the main stage was RM Hubbert. A rather odd choice as he’s a guy with a guitar and a acid sense of humour. Again, it was enjoyable enough fair. But he wasn’t really suited to the main stage. One thing I think Butlins could improve for next year is to use another venue for small acoustic acts. The room doesn’t have to be big as I think it would have been nice to kick back at times and sit with a pint listening to some acoustic music.

Back on the Skyline stage, Du Blonde finally kick started the afternoon. With another of their energy packed set. I think these guys are finally starting to grow on me as I thoroughly enjoyed their set.

My first surprise of the day was the John Knox Sex Club who, despite playing to a spartan crowd played a really great set. (crowds only seemed to appear for around headline act time).

Grasscuts were finishing off their set on the main stage. I’m covering their appearance at Daylight Music in November, so I wasn’t too bothered about the clash. What I saw was pleasant enough.

The Telescopes were up next with a fine performance of noise.

Emma Pollock’s set was pleasant and inoffensive, but didn’t really do anything for me.

The Membranes are a new band for me. Punk’s a movement I like, but it’s not something I have spent much time listening to. So I was unaware of the Membranes. However, I was aware of John Robb, their lead singer from his appearances on radio and TV. I didn’t know what to expect. But hell, what a fun band they are. Clearly they’re still playing because they enjoy it.

The Errors have never appealed to me. Far too electronic and bland. But, I was willing to give them a chance. It didn’t start well with problems with the electronics. Once they started. God, they were just so bland. I didn’t give them much chance. Instead I decided to head downstairs to see the Fall.

The Fall have never really appealed to me. I’m sure if I’d listened to them at the time I would have loved them. But taken as a historical band, I just don’t get them although I was really interested to see what their latest incarnation looked like. As you would expect they are very much Mark E. Smith. He walks around the stage shouting and he seemed drunk, but then he always seems drunk, even when he isn’t. It was entertaining I suppose. But they didn’t convert me.

Headlining the first evening where Echo and the Bunnymen. Another band that don’t register on my radar. The crowd seemed to be loving them. But they didn’t do much for me

The last band on Day 1 was Flowers. I have seen them before. I thought they were pleasant and inoffensive. But I’ve met some people who really like them, so I thought I’d give them another listen. Although enjoyable, it was a very similar experience to last time. Nothing to dislike. But nothing distinctive enough to differentiate them.

There was one other band playing after Flowers, Astral Patterns. But I really disliked them last time I saw them. So I called it quits and went for a beer.

Day 2

Day 2 started with a walk down into Bognor and an impromptu chat with John Robb. He seemed a really nice guy and passionate about music.

Fever Dream opened the day to a very select group. I’d seen them before. But they were still worth catching again.

Matineé were first up on the Skyline stage. They didn’t do much for me

Daudi Matisko was an interesting diversion. Simply him and a guitar and a few songs and stories. It would have been nice for a few more acts like Daudi.

One of the acts I wanted to catch was Jennie Vee. I’d heard some good things about her. But it was hard to judge on this performance. There were serious sound issues with vocals so low in the mix, I was unable to hear her at times. What I heard sounded okay.

I gave up on the next band, Cherry Wave. I just didn’t get them.

At this point, it was one of those lulls you get with every festival. Unfortunately, this is when Butlins felt very limited. With only three stages and little overlap. If there was a few bands that didn’t appeal. There wasn’t much to do. Zyna Hel, like Cherry Wave, just didn’t connect with me.

The next few bands improved the afternoon with decent sets from Orange Yellow Red and St Deluxe.

Next, was Day 2’s big surprise. The Band of Holy Joy were fantastic. The lead singer walking arrogantly around the stage. He’s a very good front person. Singing with passion and leading from the front.

Spot what’s wrong with the image of Miaoux Miaoux below. Yes, that’s right. Two guys thought ‘let’s start a band and play keyboards’. ‘No, no really, a drum machine is better than real drums’. There’s just no reason to watch these guys live because nothing interesting happens. Go and get their album.

Fun set from the Monochrome set

Ghostpoet was one of the acts I wanted to catch. He also was clashing with Nadine Shah. So I knew I couldn’t watch his whole set. What I saw was really impressive. Picking up from an earlier point. Ghostpoet could just go out with a backing track. But he doesn’t. He has a good band behind him and this gives everything that extra dynamism.

Unfortunately, I didn’t need to leave Ghostpoet. Upstairs, the sound guys were being completely incompetent and leading to a short set from Nadine Shah, one of the acts I really wanted to see. The short set was still great. No sooner had she started and she was finished. This was so that the headliner had their full set. But really annoying as I frankly didn’t care about the headline act!

Downstairs yet more sound issues. This time the sound guys were struggling to set up Public Service Broadcasting. This meant there was now a clash with upstairs. What to do? I love Public Service Broadcasting, but then I’ve seen them loads of times. It was time to bounce between PSB and Johnny Marr.

I have to admit, I don’t get the Smiths. Or rather I don’t like Morrisey’s voice so haven’t tried to get the Smiths. But Johnny on his own, won’t convert me. The Smiths stuff was interesting, but seemed to be played by the band and not him and the none Smiths music frankly isn’t very good. So I headed back downstairs to catch what was left of PSB

Gum Takes Tooth

Due to all the late running, Teeth the Sea closed Day 2 around 2am. Few people were left. Sadly, they missed an excellent set. A really great way to close Day 2

Day 3

I started Day 3 with less energy than Day 2. But that’s the way it’s meant to be. So off into town to find a cafe and have breakfast.

Unlike me, the openers on Day 3 didn’t seem to have any problems with a lack of energy. The Jaguar Club put in a full high energy performance. The band have the swagger of a band that should be higher up the bill and playing the main stage. I’m not sure I liked their music, but I loved their performance.

The next few bands were okay but didn’t stand out. Prince Vaseline, Big Hogg, Alex Ohm, Walleater were all okay. But didn’t do much for me.

St Sleep then dropped the standard. I really didn’t like these guys. Sorry, they just didn’t appeal to me.

Back on the Pavilion stage, Skinny Girl Diet, a band I’ve seen countless times and one I kind of have a love/ambivalence relationship with, as I think they lack consistency. Today, was a decent performance from the girls. They seemed to be up for this more than they sometimes are. Which is a good job, because oddly they drew the first big crowd on the Pavilion stage over the whole weekend. The thing that did let them down and falls into the ‘lazy attitude’ I think these girls have, is that despite having a 30 minute set, they played just over 20 and then finished. Leading to the first encore from a none headline act. Obviously having not played their full time, there was loads of time for them to do an encore. Something they seemed reluctant to do. Somebody really need to give these girls a massive kick up the backsides. For me, they should be bigger than they are and it’s simply down to their attitude.

Another surprise was Misty Miller who played a really lovely set.

Emmecosta, Blaenavon and Jonnie Common provided some diversion but nothing memorable.

Pinkshinyultrablast are a band I’ve seen before. They had sound issues that day but there was something about them. But this was a small venue at the back of a pub. Today they were on a big stage and although I enjoyed the performance, it wasn’t as good as I was expecting. They just didn’t give a ‘big stage performance’, all rigidly stuck to their position on the stage. They just seemed to be missing the stage craft their music needs. It’s easy creating a wall of sound when the crowd is a metre away from you. It’s less easy when it’s a big stage.

The next band were the exact opposite. The Young Fathers, a band I dismissed at SXSW as they failed my ‘one song rule’ but then saw them play an acoustic session that really showcased their talent are a band they convince you through their performance and what a performance. These guys were one of the highlights of the weekend.

Just like the night before, back on the main stage, the sound guys were doing their best to undermine the second to last act. This time another band I wanted to see, Lola Colt. The sound guys just seemed so amateur, frustrating both the audience and band. This again meant the act before headliners had to cut short their set. What they did play, was up to their usual standard. But it was rather disappointing, especially as I left the end of the Young Fathers set to catch Lola Colt. I’m not sure what led to these setup issues, but hopefully they can learn from it for next year.

To prove my point about drums are always better than drum machines. Downstairs James Holden was twiddling knobs creating interesting electronic sounds. If it was just him, I’d have given up very quickly. But luckily he also had a drummer. It makes everything more interesting.

Upstairs, the headliner that caused Lola Colt to finish early were Spiritualized, a band I’d seen earlier in the year and wasn’t overly impressed back then. I watched bits of their set but took the opportunity to grab Burger King. It seemed to be full of bands.

Downstairs, the Cult of Dom Keller were closing the show. Sadly, few people remained to watch an excellent set.

So all in all. Not a bad first festival. There’s still some tweaks needed before I would book the festival without knowing the bands. They need to sort out the sound issues. They need a few more bands so there’s no downtime between sets. Ideally an acoustic stage. But I’d definitely go again in they have the right set of bands.