It is a long time since I have been to the O2. Unusually for a big London venue, I managed to get a photo pass from the very helpful team around Public Service Broadcasting. I call out poor experiences, so I have to say how much of a pleasure it was to interact with PSB’s team. I should not have been surprised, given the guys seem like some of the nicest people in music.

Given an earlier than usual start time, China Bears and Demob Happy both did a great job of setting up the evening, although to a relatively quiet crowd. However, by the time Big Special came on, the Indigo had filled out. It was clear a significant number in the audience were there to see the Big Special. Who can blame them? The band are on fire. I know they won over some new fans tonight.

Big Special continue to impress me. No matter how big the stage is, they own it. I think Joe’s vocals are amazing. I guess because most of the time he isn’t singing, when he does, the quality of his voice is even more obvious. Callum continues to inject humour and infectious energy at all points. Given how strong their albums are, it wasn’t a surprise to see new material bed in so well and there was no weak moment in their set.

I don’t know how many times I have seen Public Service Broadcasting. It must be at least twenty times. I don’t go and see them as often as I used to, simply because they now play venues I don’t like. But they make everything look effortless and are great fun. Tonight we were treated to EERA joining them, who added her ethereal vocals to songs from the ‘The Last Flight’, which sounded stunning live.

If you can measure a person by the actions of their friends. On the evidence of tonight, James must have been a very special person.

To find out more about Bowel Cancer and to donate to their research and support, please visit Bowel Cancer UK

Clearly the Proms appearance had a big influence on them and today they teamed up with the London Contemporary Orchestra to bring us a matinee concert at the Barbican. The matinee meant parents could bring their kids. PSB are an ideal gig for children with their rich visuals and very parent friendly band. While, I’m not sure the orchestration added much of an extra dynamic to their sound, it is always great to see PSB try new things.

A few hours earlier. I woke up in the Lake District after the Krankenhaus festival. (PSB had played a Brighton Krankenhaus evening). It was an early rise. A quick tidy of my apartment and the start of a 5 1/2 drive back home, before heading into London. 

After a long festival and a poor night’s sleep. I really struggled to stay awake on the drive home. I had fears of sleeping through the whole Prom, especially if the Albert Hall was hot. Luckily, the train trip into London seemed to wake me up and thankfully I managed to stay awake.

I had set a high bar for this. I was expecting a history lesson with lots of Reithian quotes. I was expecting the score to be formed around ‘inform’ ‘educate’ and ‘entertain’. In some ways it was. But it was less obvious than I expected and given the BBC’s vast archives, many of soundbites were actually quite weak and surprisingly they weren’t worked into tracks as they have done on records. PSB had created a more traditional music score that acted as a soundscape into which the clips were dropped. I also thought ‘Theme From PSB’ would have featured in the set.

The piece started gently. An old style radio unit brought onto stage and switched on and the band and orchestra building up layers of ‘musical’ radio waves telling the story of the early radio tests. The piece then explored other archive material including clips of Reith, early broadcasts with Seth Lakeman adding vocals. It was all very pleasant.

I was surprised the test card didn’t feature with a short spurt of an orchestrated Roygbiv. But despite the archive footage, this was never going to be a greatest hits of Public Service Broadcasting, this was a respectful celebration of the BBC and their public service broadcasting remit.

PSB chose to concentrate on the early story of the BBC. How it was set up and how its principles formed. Then there was a brief reminder that the BBC is under threat and the closing pieces asked us to think about the future of public service broadcasting. It was all very pleasant.

I would be lying, if I didn’t say I was slightly disappointed. I found their approach to archive matieral slightly odd. I was expecting shorter pieces focusing on the BBC’s ‘Inform’, ‘Education’ and ‘Entertain’ principles. Covering how the BBC has contributed to British Society. How it has helped with the understanding of the natural world – with reference to David Attenborough, sections on sports, science, entrainment (maybe with a bit of Morecambe and Wise), school programmes, and children’s probably. Most importantly, news with a section focusing on how The BBC has always been there breaking the big stories. I can understand why the did what they did. Clearly they wanted to create music that worked for an orchestra. But I wanted a ‘Space Race’-type approach.

As the concert came to an end. I also misjudged their ending. While good, I think my idea is better. The orchestra started to walk off their stage. I thought this was a brilliant idea. I thought they would gradually leave Willgoose on stage with his guitar as all the lights went down. He would then play some feedback and walk off the stage as we were left with the white dot you used to get when you switched off old TVs. Instead, they all just gradually left the stage. It was still an interesting ending. But I think my idea was more impressive. In some ways this sums up the evening. I really enjoyed the evening. The music was good and I enjoyed the evening and pleased I made the long trip. But I have to admit leaving the hall having expected more.

Artists I liked

Dilemma Collective, Benjamin Brooker, The Shivas, Public Service Broadcasting, Ezra Furman x2, This is the Kit, Mercury Rev, David Julyan & Heloïse Werner, Deerful, Gurr, Fightmilk, The Hayman Kupa Band, The Vaulted Skies, The Kut, Queen Kwong

Artists that were okay

Clémentine March, Spyros Giasafakis, Chorões, Jacob and Drinkwater, A.J. Holmes, Creatures, Hanni El Khatib, Guttfull, The Franklys, Skinny Girl Diet, Blood Dope-Honey, The Pearl Harts

Artists I won’t be going out of my way to see again

Bit Cloudy

Best Gig

Another month with some decent gigs. The highlight has to be Mercury Rev at the Barbican with an orchestra.

Best new band

A bit short of outstanding new bands. Benjamin Brooker has been around for a while and I’ve had tickets to see him, but never managed to catch him. His gig at the Moth Club was full of energy. Exactly what I expected.

Albums of the Month

• Every Valley – Public Service Broadcasting
• Moonshine Freeze – The Is The Kit
• Eurgh! – Breakfast Muff
• In My Head – Gurr

Best photo

Artists I liked

Otoboke Beaver, Gurr, Fable, Gabrielle Aplin, Dead Pretties, Aldous Harding x3, Pins, Dronningen, Rose Elinor Dougall, The Avulsions, Tired Lion, Byrde, Pumarosa x2, Life, Dream Wife, The Kills, Public Service Broadcasting, Gold Class

Artists that were okay

J.W.Paris, Yon Aka, Molly, Emme Woods, Fazerdaze, Bite The Buffalo, ILL, Flamingods, Slotface, Kane Strang, Hey Charlie, Olympia, Puma Blue, Our Girl, Abattoir Blues, Hazel English, Emily Barker, Education, Mata, Like A Motorcycle, Locks

Artists I won’t be going out of my way to see again

Skott, Dream Nails, Cherry Glazer

Best Gig

May is Great Escape month. With my poor blogging, I didn’t keep track of the bands I was seeing as well as I should have, so the number of bands I saw this month was much larger than recorded. Few new bands stood out. But there were some excellent highlights this month with a number of my favourites such as The Kills, PSB, Pumarosa and Aldous Harding. I think The Kills was probably my highlight of the month.

Best new band

Gurr

Albums of the Month

• Parasite (EP) – The Coathangers
• The Witch – Pumarosa
• Party – Aldous Harding
• Popular Music – Life

Best photo

As it was a charity night, the evening had a mixed bill. Haiku Salut, with their full lamp show, were a surprisingly appropriate support. There was also comedy on the bill, with the excellent Ed Byrne and Rob Deering ably comparing.

Initially tickets were released at a bargain price of £10 before the bands were announce. I managed to grab one before the price went up. So I was delighted to hear Public Service Broadcasting announced as one of the main acts

Unusually for the Roundhouse. They decided to run the event as a mini festival. Using three different spaces to put on a range of acts of different sizes and types. The studio space allowed for more intimate and new acts. The bar area, indie bands currently playing smaller venues and then the main stage for the larger acts. 

Highlights were The Blinders who had a grungie sound reminiscent of the Wytches. Ed Hardcourt on the main stage and Public Service Broadcasting. But each of the support acts had something about them and all deserved to be part of the bill.

Arriving at Bognor Regis, I can’t say I was overly impressed. I’d say that it’s probably seen better days, but I’m not sure it ever had better days! There’s a main high street and very little else. It definitely wouldn’t be high on my list of places to visits. There’s a little bit of ‘faded elegance’. But when compared to some other south coast resorts with their elegant hotels, Bognor clearly wasn’t the biggest holiday resort. Butlins is a short walk from the station.

My main concern about staying at Butlins were some horrendous reviews on TripAdviser. It’s alway difficult to work out if these are realistic reviews or reviews from people with unrealistic expectations so I set my expectations very low. Arriving at the site, I was welcomed by friendly staff (as were all staff at Butlins) and was told that despite being informed that we wouldn’t have access to our rooms until 4pm, they had made most rooms ready for early arrival. I’d been bitching about the fact that you couldn’t check-in until after the music started, so first big plus for Butlins.

Okay, time to be honest. The rooms aren’t great. Mine was an end room with a double bed and a second room with twin beds. Not the roomiest family room, but fine for families who want to get away for a week and will only be using it as a base. But the decor in the rooms was pretty poor. Furniture old and worn. The bed, wasn’t great (but then my own bed is pretty poor, so probably shouldn’t be casting stones!). The bedding, although clean, wouldn’t be re-used by most hotels as there were small black scuffs. The walls needed painting, looking faded with lots of little marks and the carpet was ‘clean dirty’. It had clearly been cleaned. But there were stains on it. So not great. However, this was pretty much what I was expecting and still better than staying in a tent!

The Butlins site is pretty big. Centre of the site is the pavilion. It’s a big canvased tent structure. I think it’s about 20 years old, so probably could do with a clean. But it’s pretty impressive. Inside are a number of venues, bars, shops and amusements.

The site also has a small amusement park, crazy golf, climbing wall, splash zone, tenpin bowling, pool tables and a small astroturf pitch. Lots to do for families. (But all at extra cost!). However, for this weekend, many of these had restricted opening hours. Probably something that could be looked at for next year’s events.

Day 1

The music started at about 3pm on the Skyline stage. This was a stage inside the big pavilion. It looked like a permanent stage so I expect it is used for Butlins own shows. But it wasn’t the greatest place for a stage as the sound quality suffered, often being too quiet. I’m not sure if Butlins were using external crew, but a regular occurrence were delays building up so that the band second to last, had sets cut short so that the headline act didn’t lose time. Nadine Shah, Lola Colt and Public Service Broadcasting all had big delays due to setup issues. In Nadine and Lola Colt’s case, this meant their sets were significantly shortened so that headline acts were unaffected. This is something they need to figure out for next year.

FURS opened to a very select audience. Sound wasn’t great. They were pleasant enough but I think they’d come across better in a smaller venue with louder PA

Next up was Whyte Horses with a pleasant set

Opening the main stage was RM Hubbert. A rather odd choice as he’s a guy with a guitar and a acid sense of humour. Again, it was enjoyable enough fair. But he wasn’t really suited to the main stage. One thing I think Butlins could improve for next year is to use another venue for small acoustic acts. The room doesn’t have to be big as I think it would have been nice to kick back at times and sit with a pint listening to some acoustic music.

Back on the Skyline stage, Du Blonde finally kick started the afternoon. With another of their energy packed set. I think these guys are finally starting to grow on me as I thoroughly enjoyed their set.

My first surprise of the day was the John Knox Sex Club who, despite playing to a spartan crowd played a really great set. (crowds only seemed to appear for around headline act time).

Grasscuts were finishing off their set on the main stage. I’m covering their appearance at Daylight Music in November, so I wasn’t too bothered about the clash. What I saw was pleasant enough.

The Telescopes were up next with a fine performance of noise.

Emma Pollock’s set was pleasant and inoffensive, but didn’t really do anything for me.

The Membranes are a new band for me. Punk’s a movement I like, but it’s not something I have spent much time listening to. So I was unaware of the Membranes. However, I was aware of John Robb, their lead singer from his appearances on radio and TV. I didn’t know what to expect. But hell, what a fun band they are. Clearly they’re still playing because they enjoy it.

The Errors have never appealed to me. Far too electronic and bland. But, I was willing to give them a chance. It didn’t start well with problems with the electronics. Once they started. God, they were just so bland. I didn’t give them much chance. Instead I decided to head downstairs to see the Fall.

The Fall have never really appealed to me. I’m sure if I’d listened to them at the time I would have loved them. But taken as a historical band, I just don’t get them although I was really interested to see what their latest incarnation looked like. As you would expect they are very much Mark E. Smith. He walks around the stage shouting and he seemed drunk, but then he always seems drunk, even when he isn’t. It was entertaining I suppose. But they didn’t convert me.

Headlining the first evening where Echo and the Bunnymen. Another band that don’t register on my radar. The crowd seemed to be loving them. But they didn’t do much for me

The last band on Day 1 was Flowers. I have seen them before. I thought they were pleasant and inoffensive. But I’ve met some people who really like them, so I thought I’d give them another listen. Although enjoyable, it was a very similar experience to last time. Nothing to dislike. But nothing distinctive enough to differentiate them.

There was one other band playing after Flowers, Astral Patterns. But I really disliked them last time I saw them. So I called it quits and went for a beer.

Day 2

Day 2 started with a walk down into Bognor and an impromptu chat with John Robb. He seemed a really nice guy and passionate about music.

Fever Dream opened the day to a very select group. I’d seen them before. But they were still worth catching again.

Matineé were first up on the Skyline stage. They didn’t do much for me

Daudi Matisko was an interesting diversion. Simply him and a guitar and a few songs and stories. It would have been nice for a few more acts like Daudi.

One of the acts I wanted to catch was Jennie Vee. I’d heard some good things about her. But it was hard to judge on this performance. There were serious sound issues with vocals so low in the mix, I was unable to hear her at times. What I heard sounded okay.

I gave up on the next band, Cherry Wave. I just didn’t get them.

At this point, it was one of those lulls you get with every festival. Unfortunately, this is when Butlins felt very limited. With only three stages and little overlap. If there was a few bands that didn’t appeal. There wasn’t much to do. Zyna Hel, like Cherry Wave, just didn’t connect with me.

The next few bands improved the afternoon with decent sets from Orange Yellow Red and St Deluxe.

Next, was Day 2’s big surprise. The Band of Holy Joy were fantastic. The lead singer walking arrogantly around the stage. He’s a very good front person. Singing with passion and leading from the front.

Spot what’s wrong with the image of Miaoux Miaoux below. Yes, that’s right. Two guys thought ‘let’s start a band and play keyboards’. ‘No, no really, a drum machine is better than real drums’. There’s just no reason to watch these guys live because nothing interesting happens. Go and get their album.

Fun set from the Monochrome set

Ghostpoet was one of the acts I wanted to catch. He also was clashing with Nadine Shah. So I knew I couldn’t watch his whole set. What I saw was really impressive. Picking up from an earlier point. Ghostpoet could just go out with a backing track. But he doesn’t. He has a good band behind him and this gives everything that extra dynamism.

Unfortunately, I didn’t need to leave Ghostpoet. Upstairs, the sound guys were being completely incompetent and leading to a short set from Nadine Shah, one of the acts I really wanted to see. The short set was still great. No sooner had she started and she was finished. This was so that the headliner had their full set. But really annoying as I frankly didn’t care about the headline act!

Downstairs yet more sound issues. This time the sound guys were struggling to set up Public Service Broadcasting. This meant there was now a clash with upstairs. What to do? I love Public Service Broadcasting, but then I’ve seen them loads of times. It was time to bounce between PSB and Johnny Marr.

I have to admit, I don’t get the Smiths. Or rather I don’t like Morrisey’s voice so haven’t tried to get the Smiths. But Johnny on his own, won’t convert me. The Smiths stuff was interesting, but seemed to be played by the band and not him and the none Smiths music frankly isn’t very good. So I headed back downstairs to catch what was left of PSB

Gum Takes Tooth

Due to all the late running, Teeth the Sea closed Day 2 around 2am. Few people were left. Sadly, they missed an excellent set. A really great way to close Day 2

Day 3

I started Day 3 with less energy than Day 2. But that’s the way it’s meant to be. So off into town to find a cafe and have breakfast.

Unlike me, the openers on Day 3 didn’t seem to have any problems with a lack of energy. The Jaguar Club put in a full high energy performance. The band have the swagger of a band that should be higher up the bill and playing the main stage. I’m not sure I liked their music, but I loved their performance.

The next few bands were okay but didn’t stand out. Prince Vaseline, Big Hogg, Alex Ohm, Walleater were all okay. But didn’t do much for me.

St Sleep then dropped the standard. I really didn’t like these guys. Sorry, they just didn’t appeal to me.

Back on the Pavilion stage, Skinny Girl Diet, a band I’ve seen countless times and one I kind of have a love/ambivalence relationship with, as I think they lack consistency. Today, was a decent performance from the girls. They seemed to be up for this more than they sometimes are. Which is a good job, because oddly they drew the first big crowd on the Pavilion stage over the whole weekend. The thing that did let them down and falls into the ‘lazy attitude’ I think these girls have, is that despite having a 30 minute set, they played just over 20 and then finished. Leading to the first encore from a none headline act. Obviously having not played their full time, there was loads of time for them to do an encore. Something they seemed reluctant to do. Somebody really need to give these girls a massive kick up the backsides. For me, they should be bigger than they are and it’s simply down to their attitude.

Another surprise was Misty Miller who played a really lovely set.

Emmecosta, Blaenavon and Jonnie Common provided some diversion but nothing memorable.

Pinkshinyultrablast are a band I’ve seen before. They had sound issues that day but there was something about them. But this was a small venue at the back of a pub. Today they were on a big stage and although I enjoyed the performance, it wasn’t as good as I was expecting. They just didn’t give a ‘big stage performance’, all rigidly stuck to their position on the stage. They just seemed to be missing the stage craft their music needs. It’s easy creating a wall of sound when the crowd is a metre away from you. It’s less easy when it’s a big stage.

The next band were the exact opposite. The Young Fathers, a band I dismissed at SXSW as they failed my ‘one song rule’ but then saw them play an acoustic session that really showcased their talent are a band they convince you through their performance and what a performance. These guys were one of the highlights of the weekend.

Just like the night before, back on the main stage, the sound guys were doing their best to undermine the second to last act. This time another band I wanted to see, Lola Colt. The sound guys just seemed so amateur, frustrating both the audience and band. This again meant the act before headliners had to cut short their set. What they did play, was up to their usual standard. But it was rather disappointing, especially as I left the end of the Young Fathers set to catch Lola Colt. I’m not sure what led to these setup issues, but hopefully they can learn from it for next year.

To prove my point about drums are always better than drum machines. Downstairs James Holden was twiddling knobs creating interesting electronic sounds. If it was just him, I’d have given up very quickly. But luckily he also had a drummer. It makes everything more interesting.

Upstairs, the headliner that caused Lola Colt to finish early were Spiritualized, a band I’d seen earlier in the year and wasn’t overly impressed back then. I watched bits of their set but took the opportunity to grab Burger King. It seemed to be full of bands.

Downstairs, the Cult of Dom Keller were closing the show. Sadly, few people remained to watch an excellent set.

So all in all. Not a bad first festival. There’s still some tweaks needed before I would book the festival without knowing the bands. They need to sort out the sound issues. They need a few more bands so there’s no downtime between sets. Ideally an acoustic stage. But I’d definitely go again in they have the right set of bands.