Although the line-up was weak. In some ways I can understand why they make so little effort. By the time Blur came on, the park was full of people who really don’t care about music. I’m not sure why you spend £70 to meet friends at a music festival and then have to buy expensive food and drink, when you could have met in pub elsewhere in London. But some of the crowd was really distracting.

I made a decision to try and see the other bands. (Even if they were all rubbish) So when Blur were playing, I didn’t want to spend 20 minutes pushing towards the front. So I found a place with sight of screens and stage and settled in to watch. But the first 10 minutes of the Blur gig was spoilt by everyone, and I mean everyone, talking. Not the quiet talking. No, the ‘we don’t care what’s going on around us, we’ll make as much noise as necessary to be heard over the music’, talking. Why, do you go an expensive gig, to then talk over headline act? I know it’s their money, but it’s also my money they’re wasting, by und. In the end. I kept moving further and further back until the crowd thinned out and it returned to a crowd who were watching the performance. I guess it was my fault, for not pushing down to the front.

Once I’d found a decent position. I thought Blur were brilliant. Unlike the Strokes. They knew their audience. Damon talked to the crowd rather than at the crowd. The band seemed to be enjoying playing and there was a lovely happy vibe coming from the stage. The new material, especially ‘Thought I was a Spaceman’, worked really well. The obvious crowd pleasers, pleased. I was a great set. I’m really glad I’ve managed to finally catch them. But I think it’s the last time I go to a Hyde Park gig. I’ll stick to small venues.

Oscar

Oscar with product placement

The Horrors on in daylight – it’s just wrong.

Hanni El Khatib – enjoyable set garage rock set

Beach – didn’t find them interesting

Jupiter & Okwess International – standard festival world music.

Kitty, Daisy and Lewis -good. But I didn’t feel their music translate too well to big stages. Some sounds are bigger when they’re smaller.

Metronomy – as interesting as a metronome

Roots Manuva – not sure why these were on the bill

Partying

Oscar (again)

Blur

Blur

Skinny Lister

Skinny Lister

Kitty, Daisy and Lewis

Kitty, Daisy and Lewis

Kitty, Daisy and Lewis

BSP had managed to put together a wide range of talent for the festival:

Friday

Goodnight Lenin, John & Jehn, Bo Ningen*, Race Horses*

Race Horses

Saturday

Sharp Tongues, My Sad Captains, Tom White, Basia Bulat*, Phantom Band, Kitty, Daisy & Lewis* and Modern Ovens

My Sad Captains

Tom White

Basia Bulat

Kitty, Daisy & Lewis

Sunday

Alessi’s Ark, Matt Eaton*, Rose Dougall, Erland & the Carnival*, I Like Trains, Metronomy

Matt Eaton

Rose Dougall

Erland & the Carnival

I Like Trains

and of course British Sea Power headlining the Friday and Sunday nights.

The whole weekend was fantastic, if a little cold. With Tan Hill’s staff doing an fantastic job of keeping the food and drink flowing. BSP’s choice of bands (ably helped by Mark Riley) was absolutely spot on. Although some of the music wasn’t to my taste, none of it was bad. Some, such as Rose Dougall had previously failed to impress me, yet here with a full band, worked. Matt Eaton without his band, preformed a random set in the bar accompanied by Noble that could have been a disaster, but turned out to be a refreshing ‘down to earth’ set. Everything just seem to work.

The standout performances for me was ‘Race Horses’ with their energetic indie pop sound. Tom White’s amazing performance where the stage wasn’t big enough for him, was a performance where even if you didn’t like his music, you couldn’t help but enjoy. Basia Bulat’s amazing voice helped the Americana inspired indie sound lift the audience (she’s Canadian). Probably the biggest surprise was the amazingly talented Kitty, Daisy & Lewis who brought us a big enjoyable slice of rockabilly. All the members of the band are from the same family, including Mam on double bass and Dad on Guitar. With the kids able to move between all the instruments, I wonder what home sounds like in the evenings.

Most of the bands were so good, that since returning, I’ve bought several of their albums (indicated by * in the lists above).

Moving on to the main event. British Sea Power played two sets. The First on Friday night and a second set on Sunday. Despite Sunday’s set being affected by a power cut, both sets were more than up to par. On both nights, the highlights were the fantastic encores. Sunday’s included Yan and Noble crowd surfing and then hanging from the rafters during the energetic 20 minute performance of Lately.