After the release of her third album, she gained a band and although I wasn’t convinced by this new lineup. I bought tickets to both nights of her performing at the Barbican. That was in 2019. One pandemic and a fourth album later. I finally caught up with her again.

Sometimes I hate nights like these. Watching two evenings of clearly good performances, I left both nights bitterly disappointed. The change in dynamic seems to mean songs from Party have been relegated to encores. Her ‘intense but slightly awkward’ folk persona has been replaced by a new lead singer persona. With it comes a different charm. But the intensity is lost and awkwardness slightly overplayed. With her dragging chairs across the stage making scraping noises and a running gag of a stage hand very precisely plugging her guitar in. The ‘persona’ is too much of a persona for me. She doesn’t need to do any of this. She has some fantastic songs that stand on their own.

Sadly the band dynamic seems to drive the song choices. With songs from the last two albums dominating the set list and I’m not a fan of these albums. When she has such an amazing presence, I want less band and more Aldous.

However, I am not going to decry her this success. I have seen her work so hard to get here. It is her choice as to where she takes her career and clearly many, many people are enjoying her more expansive sound. Sadly, for me. It is time to move on. These band performances just don’t have the charm of her earlier work.

For the last few years, singer song writers have featured heavily but this year they have taken a back seat. This probably reflects who I’ve saw this year. It is also the first time a Jazz record has been on my list, with Jamie Branch. And for probably the only time, the list features a snooker player!

As usual, deciding on the order has been difficult. I’ve spent the last week re-listening to all my favourite albums to work out my top 20. The top three were especially difficult as they all were my favourite album at some point of the year.

Top 20 Albums of 2019

1. Fontaines D.C. – Dogrel
2. The Murder Capital – When I Have Fears
3. Black Midi – Schalagenheim
4. Dry Cleaning – Sweet Princess EP
5. LIFE – A Picture of Good Health
6. Drahla – Useless Coordinates
7. Richard Dawson – 2020
8. Erland Cooper – Sule Skerry
9. Warmduscher – Tainted Lunch
10. Avalanche Party – 24 Carat Diamond Trephine
11. Girl Band – The Talkies
12. Aldous Harding – Designer
13. RAKTA – Falha Comum
14. Jamie Branch – FLY or DIE II: bird dogs of paradise
15. Lewsberg – Lewsberg
16. Automatic – Signal
17. Ezra Furman – Twelve Nudes
18. Snapped Ankles – Stunning Luxury
19. The Utopia Strong – The Utopia Strong
20. French Vanilla – How Am I Not Myself

Artists I liked

The Orielles, Nordic Giants, Thurston Moore, Dove and the Wolf x2, Torres x2, Gurr, Daylight Angèle David-Guillou, Sistertalk, Goat Girl, Protomartyr, Myrkur, Nik Bärtsch, Matthew Bourne, Deja Vega, Aldous Harding x2, Hotel Lux, The Orielles, Rews, Deep Throat Choir, The Vaulted Skies, Mammoth Penguins, Deerful, Peach Club, Kid Kapichi, Nova Twins

Artists that were okay

Dan Stock, Boy Azooga, Cover, Sons, VLMV, P.G.Lost, Sarah Angliss, Lietava, Sorry, Ice Cold Slush, Eliza McCarthy, Oh Boland, Árstíðir, Sólstafir, The Hermes Experiment, Lovers Club, Vinyl Staircase, Sports Club, Basement Strippers, Lilith Ali, Kathryn Joseph, 

Artists I won’t be going out of my way to see again

Greek Tragedies, Claudia Barton, Jerkclub, The 924s, Mega Emotion

Best Gig

Torres or Aldous Harding? Two outstanding artists. I think Aldous wins.

Best new band

Protomartyr at the Dome

Best photo

Artists I liked

Otoboke Beaver, Gurr, Fable, Gabrielle Aplin, Dead Pretties, Aldous Harding x3, Pins, Dronningen, Rose Elinor Dougall, The Avulsions, Tired Lion, Byrde, Pumarosa x2, Life, Dream Wife, The Kills, Public Service Broadcasting, Gold Class

Artists that were okay

J.W.Paris, Yon Aka, Molly, Emme Woods, Fazerdaze, Bite The Buffalo, ILL, Flamingods, Slotface, Kane Strang, Hey Charlie, Olympia, Puma Blue, Our Girl, Abattoir Blues, Hazel English, Emily Barker, Education, Mata, Like A Motorcycle, Locks

Artists I won’t be going out of my way to see again

Skott, Dream Nails, Cherry Glazer

Best Gig

May is Great Escape month. With my poor blogging, I didn’t keep track of the bands I was seeing as well as I should have, so the number of bands I saw this month was much larger than recorded. Few new bands stood out. But there were some excellent highlights this month with a number of my favourites such as The Kills, PSB, Pumarosa and Aldous Harding. I think The Kills was probably my highlight of the month.

Best new band

Gurr

Albums of the Month

• Parasite (EP) – The Coathangers
• The Witch – Pumarosa
• Party – Aldous Harding
• Popular Music – Life

Best photo

The venue was the Old Queens Head. It’s a while since I’d been here. Previous gigs, there had always been seating which I found encouraged talking and unless you got there early, meant standing at the back otherwise you’d be blocking the view. I have to admit, it wasn’t a favourite venue. But with the tables removed, it was a reasonable space and but for a small number of idiots, the crowd, respectful. Support on both evenings was from the excellent H.Hawkline.

The second evening, Aldous was playing Paper Dress Vintage. A second hand store in Hackney. It’s one of those hipster ‘vintage’ stores. Selling second hand crap for ‘vintage’ prices. It’s the first time I’d been here. I wasn’t sure what to expect. Luckily, they had a dedicated cafe/venue space upstairs. Unfortunately, it wasn’t the quietest place. Although the crowd was less respectful than the first evening with a really noisy air conditioning unit, the gig was as wonderful as the previous evening.

As the gig finished early, there was time to catch Quilt at the Moth Club. A reasonable psych band from the US.

This year, I’d dropped any such criteria and just concentrated on it being an enjoyable short break and from this perspective, it was definitely successful and I think this festival is now an essential fixture in my calendar.

This year was a good example of how my approach has changed. In all honesty, I didn’t feel the line-up was too inspiring. My first year, I would have found this frustrating. But I think like this year’s SXSW. We’re in a lull year. There wasn’t really a buzz around any new bands. But this year wearing a different hat, it didn’t bother my. The festival is so cheap that it’s still good value if you only catch two of three bands. With the early bird tickets, it works out at only £15 per day and at that price, you really can’t go wrong. So this year, I was just happy to bounce around and catch whoever I could find.

[youtube xB4ZMu297pk]

Day 1

Shark Dentist, Leif Erikson, Good Foxy, FRIGS, Cosmic Strip, Catholic Action, Anna Meredith, Crows, White Miles, Frankie Cosmos, Amy Von, Larkin Poe, Banff, Howling Owl, Wyldest, Cloves, Bleached, Anteros
(Bold – liked, italics – band I’ve never seen before)

As you can see from the list above. I concentrated on catching new bands. Starting the festival were Shark Dentist, a band I’d heard good things about. Sadly they didn’t do much for me.

Shark Dentist

Good Foxy

The first band who stood out were Canadian band FRIGS. They have a punky attitude led by their lead singer who growls into the mic. They were easily my band of the day.

Cosmic Strip

Cosmic Strip

Cosmic Strip

An enjoyable rocky set from Scottish band Catholic Action.

TGE was my first chance to catch Anna Meredith. I’m not sure a festival is the right place to catch her, as she mixes electronic music with cellos and brass. But the crowd were respectful and I enjoyed the set.

The always excellent CROWS bringing the performance to me, after I arrived late and was stuck at the back

I have a sneaky liking for the Hub. It’s a tiny tube-like venue in the sea wall. It’s got a claustrophobic feeling that works well with rock bands (although you do have to get to the front, otherwise you don’t see anything). So making my first visit of the trip, I accidentally stumbled upon a band I’d seen last year, White Miles. They’re a two piece with a lead singer with a lot of energy. They worked pretty well in this venue.

Frankie Cosmos

Amy Von

Larkin Poe

Banff

Howling Owl

Wyldest

Coves

Bleached

Bleached

Anteros

Day 2

Aldous Harding, Exmagician, Barbarella’s Bang Bang, Nadine Carina, REWS, Kim Churchill, PAUW, Ellie Ford, Dream Wife, Baba Naga, Inis Mor, Pleasure Beach, James Gruntz, Blush, Drones Club, Black Honey, The Anchoress

Starting Day 2 was the ever fantastic Aldous Harding. I think she’s a bit special. There’s something etherial about her performances that I just can’t get enough of. So it was a great way to start the day, but also a risky one. Starting the day on a big high means it can only go downhill. Luckily, there were a few bands playing who I thought could act as strong anchors. Dream Wife and Baba Naga around the middle of the day and Black Honey, to close the day. In all honesty, very little stood out during the rest of the day. But these acts were worth the admission alone.

Aldous Harding

REWS

Kim Churchill

PAUW

Ellie Ford

Dream Wife

Baba Naga

Inis Mor

One of the biggest draws at TGE this year was local band, Black Honey. I’m a bit of a fan of this band. Izzy the lead singer is pretty awesome. There’s a swagger about her that means this band is destined for big things. Obviously without the music it wouldn’t work and luckily they have some very catchy music. Izzy’s also brilliant to photograph as she always puts on a good show. Tonight they were playing Brighton Pier and I believe they closed the pier as the venue was at capacity. I suspect this is the last year they’ll be playing TGE as they’ll be too big next year.When I arrived there was a frankly awful band called Drone Club. I’d assumed that most people were there for Black Honey and was resigned to watch from afar. But oddly, it turned out, most people were there for Drone Club. As you can see from the photos and video. The crowd disappeared and I walked straight to the front. I guess that’s the great thing about music. What’s rubbish to one person is brilliant to another (though I’m sticking by Drone Club being the worst band I saw at TGE16)

Closing the evening was the Anchoress on the BBC Introducing stage. I quiet liked what I heard. But I have to admit, I’d done enough standing around and not enough drinking so I decided to call it a day and head off to find a pub.

Steve Lamacq introducing the Anchoress

Day 3

Joe Nolan, Coves, Pollyanna, Glass, Chastity, Post Heather, Beverly, Chastity Belt, Aldous Harding, Margo Price, Joy Formidable, Cult of Dom Keller, NOTS, Diet Cig

Oddly, when I’d pre-planned the final day. I hadn’t identified much of interest other than bands I had already seen. So I decided to just base it on take it easy. But there was the odd thing. Beverly was pretty good. I caught Aldous again. Watched some of the FA Cup final and decided to take a chance on getting in to see the Joy Formidable. Luckily, I think the walk down to the Concorde on a cold evening had put people off, so just like the night before with Black Honey, I was able to walk straight up to barrier. I spoke to a long time JF fan after the gig who’s extremely disappointed with their new material. But personally. I loved their performance. To close the evening. I headed to my favourite venue, Sticky Mikes to catch NOTS and Diet Cig, who’s lead singer was still bouncing around as if it was the start of the whole thing. She’s like a walking (and bouncing) advert for Duracell. Amazing energy, another fun performance and a good way to close off this year’s TGE.

Joe Nolan

Coves

A slightly mad Glass

Chastity

Chastity Belt

The wonderful Aldous Harding

Margo Price

Great performance from Joy Formidable

Support was from Stranded Horse.

Day 0

Last year I travelled down to the TGE on the Thursday and by the time I’d checked into the hotel, much of the Thursday afternoon action had finished. So this year, I thought I’d head down a day early and see if anything was happening pre-festival.

Luckily there was a pretty decent gig with Queen Kwong playing playing at Sticky Mike’s. First up was Yonaka. I liked the singer’s voice. But I wouldn’t go out of my way to catch them again. Next up were Gloo who did nothing for me. Finally Queen Kwong who put in a pretty enthusiastic performance with sone pretty decent music. After Queen Kwong. I decided to call it a day to save my energies for the rest of the weekend

Day 1

I used to be lucky enough for the Coffeehouse Sessions to play my Students’ Union at lunchtimes. They put on acoustic sessions with a good mix of bands and singer songwriters. Unfortunately, the students at my University don’t seem to like live music (more interested in going to ‘gigs’ by people who sing over backing tracks). So the turnout was abysmal. Basically only me and whatever work colleagues I could pursuade to come along. So this year they had dropped my Uni from the circuit. But they were providing programming for the Fishpool as part of the alternative escape. As they appeared to be the first venue out of the blocks, I dropped by to see what they were up to.

The first band they had on were a 60s style retro band (if a music style is still good, why stop playing it?). I think they were called the Waletones. I thought they were pleasant enough. I stayed for a few songs then decided to ‘browse’.

Next up was Flying Colours at Komedia. I’d heard they were good. By the time I got there the place was already rammed and they were well into their set. They sounded good. Again I stayed for a few songs before heading off again.

Next up was Model Aeroplanes. They didn’t really work for me.

Heading down to the the Hope and Ruin, a venue that’s usually too busy in the evenings to even bother with, I caught Liberto Wolf. I quiet liked them. I stayed for all of their set.

But the afternoon was really about seeing Aldous Harding again. I’d been intrigued by her earlier in the week (and concerned about her wellbeing). So I was pleased to see her looking well and seemingly less stressed than earlier in the week when she was clearly suffering from terrible jet lag. This afternoon’s session was again, simply wondrous. She has a very distinctive and haunting voice. There’s something about her voice that keeps me enthralled.

With the afternoon’s official programme winding down, I once again dropped by the Fishpool to catch some Coffeehouse Sessions. A London band called the Carnabys. They seemed like a pretty fun and energetic rock and roll band. They weren’t necessarily somebody I’d want to listen to. But they put on a good show.

One thing I like about the Great Escape is the mixture of venues. (Although I don’t like how spread out they are!). One of the venues I like because of it’s oddness is the (currently) called the Hub. It’s one of the small venues in the arches of the sea wall. It’s a tiny tunnel with a stage at the end. If you’re at the back you simply can’t see anything. But if you catch the right band, it has a great atmosphere. I started the evening by bouncing around the sea wall venues watching random bands.

K.I.D were first up who were pleasant enough.

But the next band, Jpnsgrls, surprised me. Despite it only being 6 in the evening, they were ‘full on’. The lead singer was jumping around and bouncing off the walls and there was even crowd surfing! Not bad for 6pm. Their performance was good enough to warrant a purchase of the album.

As the Arch was the nearest venue, I dropped by. A band called STAL were playing. I left after one song. They really didn’t appeal to me.

STAL

I’d already decided that most of the evening was going to be about the Green Door Store, where Black Honey and PINS were playing, two of my ‘must see’ bands. So I decided to head up early so that I’d be guaranteed entry. With the Prince Albert opposite I dropped by for their first band of the evening, Ward Thomas. I should have read up on them. Country. Need I say more. Next band…

For most of the rest of the evening, I stayed at the Green Door Store. Once you’re in the stage area, it’s a nice little venue. But it’s layout is poor with a tiny door leading from the bar area into the venue making it really difficult getting in and out.

Two bands played before Black Honey. Dark Moon were up first. I wasn’t taken by them. They had a big gong, yet didn’t really use it. All Tvvins were proficient, but despite all their kit, managed to produce some rather bland music.

At last year’s Great Escape, I’d stumbled upon a local Brighton band, Kill Moon, who stepped into fill a vacant slot in the Alternative Great Escape. They were playing a tiny little venue with a small audience but I thought they were excellent, in part due to the performance by their lead singer. Unfortunately, they split soon afterwards. However, some of the band went on to form a new band called Black Honey. So I was interested in catching one of their performances.

Being a local Brighton band, both the band and the audience were up for the gig. So there was a great atmosphere. It helps that the lead singer puts in a full-on gutsy swaggering performance. Singing and squealing her way through indie with a popularist sound. In some ways there’s some similarity between them and Wolf Alice. Both put on excellent live shows. Definitely worth watching.

The final band at this venue were PINS. I’ve seen them before. As before, this was a solid performance. The material from the new album sounding great. The boys from Drendge were also there supporting their friends.

The Drendge boys

With the programme starting to wind down. On my way back into the centre of town to grab some late night drinks, I dropped by Komedia to see who was still playing. I think it was a band called Mt. Wolf. I stayed for a few songs, but there wasn’t enough in their performance to keep me from grabbing a few pints.

Day 2

Unlike a rather decent Day 1, Day 2 proved to be a less successful day. Boro were in the play-off semi finals and football takes priority over music. So I knew I’d be dropping out of the music for a few hours in the evening. Unfortunately, this was when some of the bands I wanted to watch were playing. I also made an ill-fated decision to traipse up to the Green Door Store to catch a band who’d who was no longer playing.

I managed to grab some music though. In the afternoon, Forever Pavot, Spring King and Loris didn’t really do much for me. But I was rather bewitched by the performance of the lead singer of Fable. The Xcerts also sounded pretty good. But I only caught the tail end of their last song. So should reserve judgement.

Forever Pavot

Spring King

Loris

Fable

Fable

The evening was about football. But I wanted to try and catch at least some of Bully’s set who’d been recommended to me. They sound pretty good as did The Garden who played before them. After the football, everywhere seemed to be busy. So I bounced around the a few of the quieter venues before finished the evening with a ‘banker’, Shopping, who played a great bouncy set to finish off my evening.

The Garden

Bully

Lion Babe – Amazing hair!

Saskwatch – their set grew on me. Wasn’t sure I’d like them, but enjoyed every song.

Shopping – great, fun, bouncy set.

Day 3

I had quiet a lot of bands I’d like to see on Day 3. Some though were playing the more popular venues and I don’t think it’s worth queuing. Top of my ‘probably won’t see list’ was the Slaves who I’ve seen before but wanted to catch again. But they were playing the Corn Exchange which always seems to have long queues outside. So I planned a day that would leave me near the venue around the time they were playing.

Starting the day early, I managed to catch a set from Pinkshinyultrablast. It was kind of spoilt by technical issues. But from what I saw, they’re worth catching in a better surrounding. I also caught the Crows play an energetic early afternoon set to a fairly empty room. But you’ve got to hand it to bands who try and put on a show, no matter how big the audience is. I also managed to catch Tuff Love, a band I seem to keep missing. Although the venue wasn’t ideal. Again, there was enough in their performance to merit further investigations.

Pinkshinyultrablast

The Crows

The Crows

Lawson

Zun Zun Egui – caught the tail end of what sounded like a fun filled set

Tuff Love

One band that I’d been looking forward to catching after being enthralled by their excellent album, was Virginia wing. Unfortunately, this band pissed me off. The venue was running late because they kept faffing around setting up. When will bands learn that if you’re carrying around a big box of cables, you’ve got too much stuff on stage.

However, I can take late running sound checks. What I can’t abide is the band when asked if they were ready to go on (20 minutes late), they said no, they needed a five minute ‘break’ to get a drink. FFS, you’re playing a multi-venue festival. There’s other bands to see. So in the end, all I heard from Virginia Wing was their sound check. My original plan was to catch 15 minutes of their on-time set and then head off to try and catch the Slaves. So with the Slaves starting in 10 minutes, I decided Virginia Wing had been given enough opportunity to play to me and headed off. If this is the band’s attitude, in future, I’m not going out of my way to pay to see any of their performances.

Unfortunately, the delays meant that the Corn Exchange was at capacity. So I headed down to the sea wall venues catching set from an okay Menace Beach, a thunderous an enjoyable set from Picturebooks at the Hub and Spector who played a lot of new material rather meant their set was a bit more subdued than I expected. To round off the festival, I kept it safe and headed to see Saint Agnes play probably the best set I’ve seen from them. They’re really starting to impress me. They just seem to be getting stronger and strong with every gig.

The Dunwells playing an acoustic show in the museum

Menace Beach

The Picturebooks

Theo Verney

Spector

Saint Agnes

So that was it. Three days of music. Some good, some bad, some brilliant. But all in all, for £45, it’s a pretty decent little festival

Let’s start with the big positives. Her music is bewitching ( and slightly depressing). She has the most amazing unearthly, ethereal and beautiful voice. Every song was beautiful. 

She clearly has a self deprecating personality and you’d expect her to, singing the music she does. She would often put herself down and be critical of technical issues. But I have to admit I felt concerned for her tonight. Her tiredness meant small issues seemed to be much bigger problems than they should be. About 20 minutes in I didn’t feel like she was enjoying playing. I felt like we were by the very nature of being there, making her perform when she clearly would prefer to be sleeping off her jet lag. I felt like we should all leave her and come back another day. But that wasn’t likely when she continued to keep us enchanted with her beautiful songs. I know she’s alright because I caught her a few days later at the Great Escape. But I really felt sorry for her tonight. 

Support came from Jack Robert Hardman